As the weekend approached, so did our brand new second issue of AARH Magazine. Read it now or save it for your hangover.
What could be better?
The other day I saw a book on Blue Note album covers and it made me wonder who took these iconic photographs. So I did what you do in these situations; I looked to Google, then Vimeo and YouTube, and so, here’s the guy:
German born Francis Wolff (1907/08–1971).
After a career as a commercial photographer in Germany, Wolff emigrated to the United States in 1939. In New York his childhood friend Alfred Lion, had co-founded Blue Note Records in the same year, and Wolff joined Lion in running the company.
Francis Wolff took photographs during the recordings sessions, usually shot during session rehearsals, throughout the period of Lion’s involvement in Blue Note Records. They were used on publicity material and LP album sleeves, and have continued to be used in CD reissue booklets.
In 1956, Blue Note employed Reid Miles, an artist who worked for Esquire magazine. The cover art produced by Miles, often featuring Wolff’s photographs of musicians in the studio, was as influential in the world of graphic design as the music within would be in the world of jazz.
Under Miles, Blue Note was known for their striking and unusual album cover designs. Miles’ graphical design was distinguished by its tinted black and white photographs, creative use of sans-serif typefaces, and restricted color palette (often black and white with a single color), and frequent use of solid rectangular bands of color or white, influenced by the Bauhaus school of design.
Now, go turn on some jazz, cat daddy!
[issuu layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Fcolor%2Flayout.xml backgroundcolor=FFFFFF showflipbtn=true autoflip=true autofliptime=6000 documentid=091027111210-a61ebd1ea4cd49468e508197f444a62a docname=polfoto_web username=Jette.Tosti loadinginfotext=Polfoto width=420 height=296 unit=px]